The Playwork Foundation is attempting to compile a current database of adventure playgrounds, knowing that there have sadly been many closures in recent years. We also want to extend the scope of the data to cover the whole of the UK.
We are asking members and supporters to help us to review the attached spreadsheet – compiled by Mick Conway when he was at Play England, and last updated in 2017.
If you have up-to-date, accurate information on adventure playgrounds in your UK region that differs from the information on the spreadsheet, please contact Ali Wood: aliwood@blueyonder.co.uk
The All Wales Playworkers Forum has been running since 2007. Orginally established by Play Wales to provide a forum for those working in adventure playgrounds it has evolved to meet the needs of the sector. The Playworkers Forum is run by a dedicated steering group of playworkers, for playworkers. In the past a number of regional play associations took it in turns to administer the event with our collective aim being to keep the costs as low as possible, whilst bringing as many playworkers as possible together to share information, network and recharge our batteries. More recently, with the sad closure of the vast majority of the regional associations, Play Wales have taken over administration of the event on behalf of the sector, with the steering group working hard to keep things fresh and exciting for all participants from year to year.
Over the years we have toured around Wales, from as far south as the Gower Peninsula to as far north as Hawarden. We’ve made temporary homes in orchards, willow globes and big tops and generally we have almost always had the weather on our side. Anyone who’s ever attended will be fully aware of how much of a special event it has become in the playwork calendar. As our infrastructure has changed here in Wales, the forum has also been opened up to anyone from across the UK and it has brought playworkers together to share their unique experiences and support each other. The event has always been an overnighter, with participants camping out under the stars and often sat up into the small hours gazing at the glowing embers of our fire and putting the world to rights.
Over the years we’ve been lucky to attract some of the best playwork trainers, speakers and academics and they have all really helped to make the event what it is. We tend to have a blend of theoretical and practical sessions, normally focussed around an emerging or current hot topic. One of the annual highlights is without a doubt the ‘Annual Playwork Games’ hosted by Martin King-Sheard. Two teams of goblins and elves compete in a head to head to find out who will be crowned champions for the year ahead.
This years event was somewhat different from previous years, due to the lockdowns that sadly made meeting in person impossible. Instead, to ensure that we maintained continuity we all came together on 24th June 2020 for an online book club that was organised and facilitated by Play Wales. It was so much of a success that they are now continuing these for free as a monthly professional development opportunity for play and playwork professionals in Wales. Each month they select a freely available online paper, article or other publication relating to play and playwork for you to read and then you can join an hour’s discussion and reflection on the content. All Book Club meetings are held on the Zoom online meeting platform. More information is available here.
In the first book club, participants discussed the Play Wales guidance paper ‘dynamic risk management of common but potentially hazardous play behaviours’. This paper was written by Mike Barclay, Dave Bullough and Simon Bazley. The paper is available for free download here.
The event was facilitated by Martin King-Sheard and Marianne Mannello from Play Wales, who also ran a ‘Q and A’ session with one of the papers authors, Simon Bazley. The successful event was then followed by an online version of the playworker games where contestants competed to find out who would be crowned champions for 2020. It was a close call with competitors racing around their houses to undertake a series of challenges and games. In the end the mighty elves came through victorious once again, just beating the goblins in the last game.
Anyone interested in attending future events should keep an eye out on the Play Wales website as we hope to be back to meeting in person once again in 2021 if local and national restrictions allow.
Dr Pete King of Swansea University is researching the playwork field’s response to the pandemic and has two opportunities to get involved.
Adventure Playgrounds
Dr. King is looking for anyone involved in adventure playground to take part in a study on how adventure playgrounds have been adapted since post-lockdown measures were put in place in July 2020. The research study will involve a short 20-30 minutes interview using Zoom. If you would like to take part, please contact Pete at p.f.king@swansea.ac.uk where you can be sent more information about the study. The research study has ethical approval from the College of Human and Health Science at Swansea University.
After-school clubs or holiday playschemes
Dr. King is also looking for anyone involved in afterschool clubs or holiday playschemes to take part in a study on how you have adapted since post-lockdown measures were put in place in July 2020. The research study will involve you to take part and complete a short survey which can be accessed here.
Adele Cleaver trained as a playworker in Birmingham back in 2010. She calls herself “a nomadic Brummie” who after dabbling in playful adventures and community work in Leeds, London and Birmingham and Ghana, Portugal, Brazil, Uganda and Kenya now resides in Bournemouth on the south coast of England with her 4-year-old daughter and husband.
In November 2019 she started writing her first book which she describes as a part-memoir, part-manifesto on living a life full of play. She writes “accidentally stumbling into playwork was going to be the best voyage I was ever going to embark on”. We asked her a few questions about her playwork journey.
How did you become a playworker?
I think I was born a playworker. It just took me a long time to realise my way of being could also be a profession. My home was like a free play environment; a laidback pair of almost hippies for parents with 4 children, over 12-year age gap each with their respective friends over to play, and a multicultural backdrop beyond our doorstep. My mom was a teacher though openly criticised “the system” and longed for the 6 weeks holidays and my dad worked in Social Inclusion for the NHS so I was brought up to live inclusively, be weary of hierarchy and play freely. I went to the University of Leeds to study International Development because when I was 18 I naively thought I could save the world. I moved back to Birmingham and worked at a local youth project as a Youth Worker where I bumped into Laura Watts one of the radical women who founded Dens of Equality. She worked in the building next door, and took me under her wing because the youth project just wasn’t rebellious enough for me. After a few months of bid-writing and setting up family-led play projects around Birmingham, Laura sent me off to play with Ali Wood and Sue Smith and they turned me into a proper playworker with a capital P and a certificate to prove it.
Are you working on a play project in Bournemouth?
Yes, currently myself; I am my own play priority! The first few years of motherhood and juggling the chaos that a tiny new life brings reminded me that I needed to play more. Playful parents breed playful children so I’ve been prioritising us at home.
But even before motherhood, I took a rest from play when we moved out of London in 2014; not intentionally but because playworker jobs didn’t seem to exist down here. I needed work, couldn’t afford to be fussy so without giving it much thought ditched the play. I was an Autism Support Worker for a few years before I had my daughter and always tried to work more playfully, but there was no real understanding of play in the organisations I worked for. I felt I had become very institutionalised so I contacted The Prince’s Trust and set up a greetings card business with their support to learn new skills and feed my own creativity.
When I was pregnant we very almost moved to Bristol because I knew we could live more playfully there as a new family but I had fallen in love swimming in sea at the end of our road. So we stayed put and have started rooting here. I often described Dorset as a “play desert”. Apart from Fernheath Play as the little oasis, there isn’t much opportunity for playwork here. After I had my daughter I did Admin at a creative youth project locally in Bournemouth. I could see the glaringly obvious gap in the service provision; these young people weren’t accessing community play as children so they were being referred to us through CAMHS because there are no early intervention projects. I couldn’t handle office work so I left and decided to focus on building up Play here.
So now I am setting up, very slowly, a Community Interest Company called Real Playful. I am running a series of Family Nature Play sessions in collaboration with a local community garden this winter. I am super excited that so many families local to Boscombe are interested; all the workshops were fully booked within days. Then my next big job is to source playful people and train them up as playworkers so I am currently completing a very tedious application for employability funding. I’m really just relying on my book to become an international bestseller (any agents reading, please call me!!), I’ll be made a millionaire overnight and voila! I can fund all sorts of magical community play projects here, there and everywhere.
Where is your favourite place to play?
Hmmm, it varies. This year I have really genuinely loved being at home, playing in my PJs, all day with my daughter. Lockdown was good for us in that sense because I am a sociable being, and I like to be out and about, but the unstructured, timeless play got priority over my need to be with people. I thoroughly enjoyed being locked away in our own little adventure playground; it was necessary escapism! But if you’d asked me last year I would have said outdoors in the community. Big outdoor community play, mixed ages, multigenerational, loads of loose parts, street closures of festivals of play, neighbours laughing together, cups of tea being brought out onto the doorstep. I love the big colourful pop up play sessions I used to create with Parks 4 Play in Birmingham. It was physically demanding work, lugging tonnes of resources around Kings Heath park but it was so magical. That’s the sort of play I want to bring to Boscombe.
Where do you play outdoors?
Well we don’t have much of a garden except a little front hedge area which is big enough for a mud kitchen and my bicycle. I am not complaining, we live opposite a small charismatic Victorian park and 800m from the beach! 9 miles of glorious sand and a view over to the Purbeck Hills. I’ve always lived in cities and this is the closest I have ever lived to nature; life is good here even though I can only experience vibrant community play in my imagination…. I must remind myself that good things come to those who experience vibrant community play in their imagination!
I still really love going back to Brum and playing in my parent’s overgrown garden when I played as a child. I’m a proper city kid through and through, in terms of my exposure to diversity, multiculturalism and the arts, but I played and played and played in that garden and have a lot of happy memories. For as long as I remember my parents have fixed everything, and kept things ‘just in case they will be useful to fix other things….’ so their garden has always been full of loose parts. It is great, but also kind of a strange time-warp-come-parallel-universe to see my daughter explore freely with all the random stuff I did thirty years earlier.
If you could live in any era, when would you choose?
When people could play and cycle out on the roads without it being dangerous. I joined the Playing Out Activator group at the start of the year, just before lockdown and was so excited to hear of all these communities regularly playing out. And then through lockdown I was campaigning for “Quiet Streets” to be our “legacy of lockdown” in Bournemouth, Christchurch and Poole (BCP Council) but Highways wouldn’t give us permission. It is so frustrating; without much publicity over 30 residents had expressed an interest, around 10 streets had self-organised stewards, signs and safety kits, but the powers-at-be just wouldn’t give the green light. It is so obvious to me that community playfulness is good for everyone; my council don’t use the same glasses I do.
What is your favourite word?
I am a linguist so I have 3! In English “Chaos”. Quelquefois (French for “sometimes”) and Bochechas (“cheeks” in Portuguese).
What did you want to be when you were growing up?
Ohhh good question! An author, an artist and an architect. I think I’m almost there. I have just finished my first book, just need to get it published to make me a “real author”. Everyone is an artist, and those with confidence capitalise the A to make them official Artists and I build splendid dens so I guess that makes me an Architect. If I could go back to university I would definitely study urban design, architecture or planning; something to build more community play spaces in cities. Maybe I will go back to university…. Who knows?!
Finally, tell us a little bit about your book.
It is a part-memoir, part-manifesto about prioritising playtime for new parents and gifting our children unstructured family time. I write from my heart about inclusion, playful encounters in playwork settings, my own childhood play, playful parenting in Cuba and Montreal, miscarriage and multiculturalism.
Connect with Adele
therealplayfulmama@gmail.com
Facebook – Real Playful – Pop Up Community Play
Instagram the_real_playful_mama
Twitter @Adeleplayworker
And if you have any connections to the literary world please help her to circulate her proposal!
Trustee Ali Wood describes how Meriden Adventure Playground, in Chelmsley Wood in the West Midlands, is managing to continue its vital work through the Covid crisis
Like all other playgrounds, we had to close during the lockdown. We furloughed most of the staff but kept two on to stay in touch with the community and to help set up a new food bank and make deliveries – along with made-up play packs – to local families. We opened up again at the beginning of July, having spent weeks working out to how to do this safely without losing the power and fun of playing – we eventually set up an online booking system (which has been a nightmare to administrate) so that we could open to groups of 20 three times a day. We required adults to socially distance, but not the children and we also encouraged both children and parents to complete a questionnaire about how they had been feeling and playing during the lockdown.
A SPECTRUM OF EXPERIENCES
These have yielded some really interesting responses showing a whole spectrum of experiences – ranging from those who had a really tough tine and were still very worried right through to those who had loved being off school and having more time to play. It was interesting to see the correlation that matched up the most anxious children with the most fearful and stressed out parents… We also noticed initially that most of the children were more reticent than usual and it took a few sessions for them to get back to their gung-ho selves.
Being an outdoors only site did make things easier and by August we had nearly all the staff back and were up to 40 children a session and we had also formed a partnership with SOLAR – our local Mental Health NHS Foundation Trust – who have been paying for the exclusive use of the site twice a week with groups of children on their caseloads. It has been wonderful to see these isolated children particularly, forming friendships with others like them and building up confidence and competence and starting to open up and talk. This is a partnership we shall definitely be building on – the psychologists have a passion for free play and we are learning from each other and sharing good practice. Youth nights also started up halfway through July and moved up to 30 per session and attracting new young people we didn’t know.
A BUSY SUMMER
So it was a very busy summer interspersed with cameos of spraying disinfectant and dishing out hand sanitiser together with constantly explaining the ‘rules’ for limited numbers to parents who kept turning up at the gate. There has been a lot of ‘can we – can’t we?’ reflections along the way but confidence has grown all-round and despite things not being as they were, the magic and power of playing has definitely returned and feels great. We looked forward to the school term starting so we could build back up our unaccompanied regulars after-school – many of whom had not returned because they would normally have turned up here in the holidays all day and every day which has not been possible due to online booking. Many of them did return and we soon went back to offering food again as many of them were hungry.
We are now into the second national lockdown but have managed to stay open. After many conversations with both the police and with public health officials about the need to continue supporting kids, we have been allowed to open as long as there is a maximum of 15 ‘children or young people most in need’ present. That left us with a real conundrum – how could we decide who was most needy. We managed to structure things so that we have at least two sessions five days a week and are working on trying as far as possible to get the same kids at the same sessions so there is less ‘mingling’ (despite the fact that all these are kids are mingling on the streets after school and in the park). Despite the agreement we had forged, the local police force still came to disperse everyone at the first youth session last Thursday, but fortunately they listened and drove off and we are hoping that doesn’t keep happening.
We are also spending time having strategic discussions and planning for the future in response to the pandemic – we are exploring offering alternative education placements and more therapeutic play sessions as a means of reaching those children most in need, whilst earning extra much-needed income. These are not easy times for playwork!
Ali Wood Trustee, Meriden Adventure Playground
If anyone would like to buy our 2021 calendar for a fiver plus postage, that would be great as we are having to do this more by post this year! Email aliwood@meridenadventureplayground.com for one or more copies – all proceeds go towards feeding kids!
by Gill Games Chair of the Playwork Trailblazer Apprenticeship Group
Over three years ago now, a group of playwork employers began the journey to build a new Trailblazer Apprenticeship for Playworkers. Probably if those involved had realised the size of the mountain (actually that should be mountains) in front of them, this journey might never have started, as it has been a whole series of challenges.
Our first challenge was the discovery that the Institute of Apprenticeships questioned that Playwork was actually an occupation. There followed several frustrating months where we were pushed towards Early Years to be a module on their apprenticeship and then over to Youth Work and then back again. After much production of evidence and many meetings, employers working on those two Apprenticeships stated clearly that Playwork was a different discipline; and finally Playwork was recognised as having occupational status in its own right.
Another important moment followed very quickly when it was realised that the Apprenticeship was required to train Playworkers from every aspect of the Playwork Industry. The scope of the Apprenticeship was clear; a Playworker who trained while working as a Park Ranger must be able to move to employment in a closed access after school club without any further training. The steering group finally involved employers from every aspect of Playwork creating lengthy but enlightening discussions all helping to create an exciting and broad Apprenticeship relevant for everyone.
Many challenges followed from the changing of the forms to be used; to the terminology; to gaining understanding of what was expected at each stage. Lots of frustrations, lots of laughing and lots of building of new relationships and often a wider understanding of the amazing industry we all work in.
Information and overview of the Apprenticeship in Playwork
The Standard for the Apprenticeship has been designed by employers of playworkers. It gives a clear description of the occupation describing the responsibilities and tasks involved and the skills, knowledge and behaviours that will need to be attained to show competence. It is totally based on the duties a Level 2 Playworker is required to undertake.
It is approved by the Institute of Apprenticeships
The Employer is required to release the Apprentice for 20% of their employed time for off-the-job training
The Government pay for a substantial amount of the cost of training, up to 95%, but this varies from employer to employer
An Apprenticeship in Playwork will take 18 months to complete due to the system of hours worked by an Apprentices
A Certificate is issued by the Institute of Apprenticeships after successful completion noting either a Pass or a Distinction
Training
A playwork training provider (who must be on the Register of Apprenticeship Training Providers) delivers the training
The course – entitled Level 2 Playwork Practitioner – attached to the apprenticeship is bespoke to Playwork and to the skills and knowledge the Apprentice will need to attain in the Standard
A learner’s handbook has also been designed to support the delivered training. It has been created specifically for Playworkers and is easily accessible to all learners.
Assessment
Assessment is at the end of the Apprenticeship – known as the End Point Assessment.
The End Point Assessment has three assessment methods
A multiple-choice questionnaire
A Professional Discussion based on a portfolio compiled by the apprentice – many of the formatted items for inclusion in this Portfolio will be contained with the Learner’s Handbook for the apprentice to complete
An Observation of playwork practice with questions afterwards.
Further Information
The Apprenticeship is overseen by the Institute and part of the responsibilities of the steering group is to give clear instructions as to the background, qualifications and experience in Playwork that a Trainer and Independent Assessor should have in order to play their part in the Apprenticeship. We have made it clear in all the documentation that only suitably qualified, experienced and occupationally competent Playworkers will be undertaking these roles.
The End Point Assessment is required to be undertaken by an appointed independent organisation employing occupationally competent playwork assessors who must be independent from the Apprentice, Employer and Training Provider.
We are almost at the end of our journey now. Things have been delayed due to the Covid19 pandemic as in all other areas of our lives, but the Standard is now working its way through the various stages of approval at the Institute and if all goes to plan the Apprenticeship should be ready to go during the early part of next year. We look forward to seeing it roll out and supporting our sector to grow.
Gill James Chair, Playwork Trailblazer Apprenticeship Group
This research is part of a larger project that Alison was working on, funded by a Leverhulme Research Fellowship, focused on how organised street play sessions using the Playing Out model were remaking relationships between people and places on the street. Fieldwork on this project was just about to begin as Covid-19 emerged and as the first lockdown was announced in the UK, meaning playing out sessions swiftly vanished as did Alison’s fieldwork sites.
Yet just as swiftly, we witnessed the flourishing of all kinds of other activities that connected play, neighbours and streets: mutual support networks emerged; traffic levels dropped; residents took to the streets. We saw the emergence of all sorts of playful acts – rainbows in windows and Thursday night claps to thank NHS and key workers, teddy bear trails, and the proliferation of pavement chalking. These emergent spaces seemed all the more important in the face of the closure of other public spaces of play and connection, including playgrounds.
With the restrictions on movement, debates emerged around access to public space, especially for children, and particularly for those without private gardens. Pressure on public parks led to threats of closure and the media reverberated with testy discussions about what were legitimate reasons to be outside. Within these debates, children’s right to play outdoors was challenged at times by police and by vigilant neighbours, and families expressed anxieties about the safety of outdoor play.
The research study
In this context, together we worked with other play activists and researchers to present a case for outdoor play on streets, arguing that this was a space which needed protection and advocacy. But we also wanted to do some research to get a better sense of what was going on in terms of play and playfulness on streets. We wanted detail: to get at the ‘granular’ connections people were making with their streets in lockdown.
We developed a qualitative survey to gather data about playful activities, and changes in the material environment and feel of the street. The survey was circulated through social media and networks of community groups, play organisations and beyond. We received 78 responses from across England, Scotland and Wales. Reflecting the limits of online research and of our own networks, the majority of respondents were White, well-educated owner-occupiers. More than three-quarters of the respondents were women and two-thirds were aged 35-54, but more than a quarter of respondents did not have children under 18 living with them. We followed up the survey with 13 online video interviews. In these interviews, we explored participants’ survey responses in more detail but also explored the sites of play through drawing maps, using Google Maps on-screen, and sharing photos and videos. We also invited respondents’ children to participate and in 5 of the interviews a total of 12 children aged between 4 and 11 years joined for all or part of the conversation.
It is relevant to note that playworkers and community activists were disproportionately represented amongst our respondents; in part, this reflects our recruitment strategy but also, we feel, reflects the desire and willingness of such people to recognise and engage in playful acts in their communities.
What we present here in terms of ‘findings’ are very much preliminary, as we are still analysing the detail of the rich data we gathered, and we have focused on what might be of particular interest to a playwork readership.
Time, space and permission to play
We know that if conditions are right, children will play; these interdependent conditions have been categorised as time, space and permission, and as a matter of spatial justice. One thing that most children did have during lockdown was time, given that most stopped attending schools and other organised activities. Nationally, although time spent outdoors did not appear to change significantly for primary aged children, socialising was of course greatly reduced. In our research, not all parents had extra time, but several respondents did comment on the time available to spend chatting, at a distance, with neighbours. Many talked of spending more time with their children, and of children spending more time playing with their siblings if they had them, more time exploring and playing in local streets and green spaces, more time inventing their own ways to play.
Time, space and permission to play intermingled in various and sometimes contradictory ways. All had witnessed a number of changes on their streets, the most common being less traffic and more people walking in the road, reflecting widespread narratives of street life during lockdown. More people were using their street for walking, running or cycling, or to linger in front gardens, yards and pavements. This suggests a real shift in the presence of people on streets, with a sense of much more connecting with neighbours.
Just over half felt their streets were quieter during lockdown, both in terms of activity on the street (particularly traffic) and noise. Only 12% reported that traffic was slower whereas over a quarter reported seeing speeding vehicles, reflecting what has been reported elsewhere. Many also noted that the reduced traffic levels were short-lived, lasting only until lockdown started to be relaxed.
Although 60% reported that they had seen chalking on roads and pavements, a clear sign of the presence of children on streets (even if at times it was adults chalking), just 35% saw more children playing on the street. Additional responses suggested a mixed picture: on streets where children ordinarily played out, some reported that there was a reduction when lockdown started, as families followed government guidance to “stay at home”:
“I have really missed the sound of children playing … during lockdown. At first I found this eerie and sad.”
Others suggested that children were playing out more of the time as they weren’t at school. On streets where children ordinarily rarely played out, some saw no change, but some did witness a significant increase:
“For the first couple of weeks, there was no traffic at all and we could see children playing on the street corners – this has never happened before”.
There was a temporality to all these patterns – as there was for much of what was reported – with a peak lockdown period (from 23 March to 13 May) marked generally by higher levels of street activity, but in some instances lower levels of children’s presence as parental anxieties and unclear rules restricted children’s access to outdoor space.
The kinds of activities respondents reported, in addition to simply seeing and talking to more neighbours more of the time (something significant in itself), included bingo, doorstep discos, music (live and recorded), dancing, singing, sports (including street marathons for charity), cycling and scooting, chalking, nerf wars, chalk trails and hopscotch, nature trails and bug hunts, rock snakes, rainbow trails, teddy bear trails and tea parties, toy and book swaps, football, kerby, hula-hooping, and more.
In some instances, play was animated or curated by activists, working from home or furloughed, and shifting their professional playful and community practices to their streets. In each of these instances, these playworkers and community workers opened up spaces for other neighbours, of all ages, to engage in a process of play, stepping back, in the tradition of playworking, to enable children and their families to occupy the playful environments created, but often linking this to other forms of support for those who needed it.
These diverse forms of play were experienced in all sorts of ways but a few common themes emerged. Some talked of a simple joy in seeing children playing:
“the sound of laughter and general buzz really does lift the spirits … It has been nice to see the street come alive again.”
This seemed to resonate with hope in the context of the pandemic and also the opening up more spaces for neighbours to connect:
“Seeing kids playing with each other, despite the situation, brings a smile to my face. The children may be aware of what’s going on, but being able to play without any inhibitions brings back memories of playing when I was young too. It makes the street inviting for families and brings more children out to play.”
This sense of playfulness creating a space for connection appeared in a number of responses:
“I love it. We can connect. I love the creativity, the generosity, the community spirit that it engenders. The opportunity it offers for us as older neighbours to be playful with the children/families nearby.”
For some, especially those more vulnerable and shielding, this was translated into an increased sense of security and comfort:
“They mean so much to me. I feel safer knowing my neighbours.”
“Being creative and playful felt comforting”
Much of this was connected directly to changes in the materialities and atmospheres of the street itself, created by these playful acts, such as chalking and planting, which shifted not only these respondents’ relationships to their street, but more broadly.
“Planting in the street makes me feel hopeful. And I felt really proud, sharing footage with friends and family to show them what a great street I live in! And how a sense of community can be fostered.”
Of course, these experiences were not all joyful; the pandemic and the rules of lockdown encroached on street life and on playfulness in sometimes difficult and painful ways. Respondents were aware of diverse attitudes to the rules, sometimes unsure of what was and wasn’t permitted, wary of upsetting their neighbours but also anxious that their own attempts to be playful might be watched and shamed from a neighbouring window or doorstep. Others, including those shielding or with vulnerable family members, oscillated between the comfort and security offered by seeing their neighbours animating the street and the fear that too many connections might exacerbate the pandemic and extend the lockdown. One interviewee noted how, as time went on, the rainbow pictures were still up in windows, but they had faded: she felt this was a kind of dystopian image and that the NHS, where she worked, had been forgotten, adding “they all clapped, but they broke the rules”.
Maps and materialities
A changed relationship with their most local environments was a recurring theme in our follow-up interviews where respondents described and mapped in different ways their playful practices through lockdown. Through this process, the very detailed material geography of streets – and its remaking during the weeks of lockdown – came to the fore, showing how differently streetscapes are experienced by children, and the ways they perceive the possibilities for playing.
One 8-year-old talked about how all the parked cars meant she couldn’t balance along the kerb; her 11-year-old brother marked his map with the section of the street where the kerb was particularly high, making it good to jump off on bikes and scooters. A 7-year-old talked about there being lots of rocks in the street – there was brick paving and many of the bricks were loose. A 9-year old recalled dancing across the street with her friend, from facing pavements that allowed them keep a two-metre distance.
Many people talked about staying hyperlocal. The maps reflected this, for example, showing the small spaces of the local park, discovered and explored during lockdown, and the route there through snickets, alleyways and side roads, peopled by neighbours with rainbows in their windows, hammocks in their front gardens, and chalk on their pavements. Others talked of playing in the nearby woods because they felt less watched over. One mother of a 4-year-old talked about how, because the playground was closed, her daughter “learned how to be in the woods. Now she will make up her own games, do more self-directed play”. “Sticks,” the daughter informed us, “are not toys, they’re animals”.
The importance of play and street geography
In many ways, lockdown opened up spaces for play and connection for our respondents and remade streets and neighbourhoods in multiple and positive ways, but these playful transformations took place in the shadow of Covid-19. This meant that play on streets was also at times restrained and restricted, conditions potentially antithetical to play. As official guidance on outdoor play and children socialising remains opaque and contradictory and as we face more lockdowns over the autumn and winter, the need to advocate for and make space for play on our streets and in our communities continues.
This is especially the case for those children for whom conditions for play are more restricted than for our comparatively privileged and fortunate respondents, including those in overcrowded, temporary or sub-standard accommodation and those whose access to outdoor space is limited. These are perhaps the children more likely to be those that use open access playwork services, suggesting there is a need for further research in this area and perhaps for a broader think about playwork in the community.
As one of our local organisations said ‘We may be all in the same storm at the moment, but we are not in the same boat’.
Children and young people have lost so much, and in the places we work large numbers of them are on free school meals, with no access to the internet and some of them have no paper or basic art and craft materials at all. Given all that is happening, art, creativity and the opportunity to express yourself becomes more important than ever.
In Torbay our local play organisation joined forces with colleagues from Imagine This… a partnership of 43 voluntary sector children and young people’s organisations in Torbay, and we developed and provided Let’s Create and Play Packs for children and young people across ALL age ranges 0 – 19 years including treasure and sensory baskets for little ones and acrylic paints, sketch books and opportunities to take part in on-line sessions for teenagers.
Play Torbay is providing Packs for children aged 5 – 12 which included a range of scrap and craft materials that would usually end up as waste, along with instructions of fun things to make and do. Participants can access a weekly virtual session led by experienced playworkers, who talk through ideas of how to use the pack to its full potential, as well as providing opportunities for the young people and their families to engage with each other. If any families would prefer not to join the online session, the playworker can contact them directly instead with ideas of how to get the most out of the pack. We are also offering support to families who may be struggling to cope, with signposting and referral to other services where that’s required.
With support from a number of different funders, since March we have developed 4 differently themed packs and jointly delivered over 1,000 packs with over 80% going to families who are disadvantaged in some way. We have a waiting list so fund-raising is continuing because we would really like to ensure the service can carry on through these difficult times. Anyone who feels they may benefit from being involved in the Let’s Create and Play Pack project can contact Play Torbay by emailing admin@playtorbay.co.uk
To get an idea of the different things the packs offer, in the ‘Winter Play Pack’ there are separate bags for 8 planned sessions where you can try out different skills. There are detailed instruction sheets, so you make can things in a similar way, or you can use the materials in lots of different ways including making your own ‘fidget board’, ‘creating a plastic planter and growing seeds’ and designing your own ‘tree decorations’.
The exciting news is that we are now planning a fifth Play Pack with an eco-theme. This new pack is currently in design phase and subject to funding, will be available from January and run till the end of March 2021. The aim of the Eco Play Pack is to develop creative and playful ways for young people to actively be involved and take their share in protecting the planet. We are working with Torre Abbey and the Trove Scrapstore, a resource hub providing materials to re-make, recycle and re-use; and with Torbay Climate Action colleagues to develop opportunities to explore how solar panels work, re-using plastic and creating eco bricks, the importance of insulation and zero carbon solutions, passive house building, supporting natural habitats, permaculture and plants, etc.
Building on the success of weekly Zooms with Play Packs, where we can host as many as 20 families in a session, we are now planning to invite different presenters to join to talk through and demonstrate an idea, such as building a mini solar-powered boat, or planting winter salad leaves and then discuss further possibilities with young people. One of our ultimate aims is to explore the possibility of developing an inclusive, eco-friendly, people-powered, carbon-neutral adventure playground and we hope that the Eco Play Pack will support and encourage young people and their families to contribute to the future design of the playground.
Jackie Boldon, a new trustee of the Playwork Foundation, describes some of the different ways that organisations in the North East have responded to children’s need and right to play in Newcastle and North Tyneside:
Elswick Lamp Post Play Project
Playworkers from Play in Newcastle ran multiple projects across Newcastle in different school and community venues this summer, funded by the Department of Education’s Fit and Fed initiative through Street Games. In Elswick, the Play in Newcastle playworkers ran an estate based “Lamp Post Play Project”, with games, creative activities, dance and challenges over 7 Wednesdays of the summer holidays. On week one, the playworkers were shocked by the huge amounts of litter and fly-tipping which was seen as a barrier to children’s outdoor play. With a bit of pressure, the Council carried out a “clean up”, which was greatly appreciated by all residents and enabled children living on the estate to play safely outdoors every day. All the children who engaged with the Lamp Post Play project received a backpack with activity cards and play resources to provide them with new play ideas over the summer. (These can be found here)
The children had great fun and parents and grandparents were very appreciative of the Lamp Post Play Project. The playworkers have been asked to set up a year-round kids club. The project was supported by Hawthorn School, West End Schools Trust, Sussed and Able and the West End Children’s Community.
YMCA Lamp Post Play Project
A second Lamp Post Play Project was run by the YMCA in North Tyneside. With BBC Children in Need funding, children who would have attended a school-based after school and holiday club were offered creative play activities on their doorstep. Children were desperate for someone new to talk to and to support their play and parents were very grateful for the respite. The scheme ran for 4 weeks.
As soon as World War Two broke out, YMCAs developed mobile canteens to bring refreshments to the troops. In the same spirit, YMCA North Tyneside is now doing its bit to help bring a little joy to children’s lives during the Covid 19 crisis. During the lockdown, many children have been confined to their homes and denied access to their friends. Even now, it is still difficult for many organisations to open their doors to children to enable them to meet and play. So, in order to combat this, YMCA North Tyneside, funded by Children in Need and inspired by Jackie Bolden has decided to take their play provision to the children’s door steps. Adhering to social distancing requirements, YMCAs play workers, armed with their box of tricks, present themselves at door steps. They then engage children in a range of fun and creative activities. After an hour or so, they then move on to another door step and so on.
‘The response has been fantastic. The children have loved the activities on their doorsteps and it has been heartening to hear them talk about their lock down experiences. Equally, parents have welcomed the play workers presence and have urged them to return’
— Don Irving, Youth and Play Manager YMCA North Tyneside.
‘The doorstep sessions that the YMCA have been running are amazing. The children always look forward to Carlie and Demi from the YMCA arriving. My children are so proud of the various things they make and cant wait to the next time the workers come back. (Mr Roy Oliver…parent)
A comment from one of the children from another family referring to the YMCA workers: –
‘We have interesting chats and they listen to my feelings. They make us laugh and cheer us up…its great
(Sophie aged 10)
Another parent;- Leigh Johnson says‘ My children really looked forward to the YMCA workers coming to see the girls. They sit at the bottom of the front garden and take part in the activities. As well as the company, they chat about the lockdown period and what it has meant to them’
Benwell Playful Lives Project – Newcastle
Children in the Benwell area of Newcastle have been supported by a team of playworkers from the regional charity – Children North East to play outside their own homes over the summer, in family bubbles for 45 minute long free play session. Some children benefitted from as many as 6 sessions over 4 weeks of the school holidays. The children and parents had great fun inventing imaginary games and engaging in all types of play. This pilot project was supported by the Extended Schools Officer from Bridgewater School who coordinated the referral process and was funded through Street Games by the Department of Education. Jackie Boldon from Sussed and Able provided playwork training and advice. See the full story here
The Power of Playful Lives
Three-year-old Lyla is waiting in anticipation for our Playful Lives project workers, Lorna and Paula and student social worker, Lauren, to turn up.
It’s an overcast day but this hasn’t dampened anyone’s enthusiasm. As soon as the team walk through the garden gate, Lyla and her two brothers, Joseph, six and Thomas, five, run up to them shouting suggestions of what to play first.
The boys can’t wait to play tag whilst Lyla, full of bounce, heads for the trampoline with Lauren, It’s a welcome break for their mam, Lisa, who admits she finds keeping three children under six entertained 24/7 a bit of a stretch.
“Playful Lives has been great because the children have had no interaction with anyone other than me,” says Lisa, who is a teaching assistant at a local school.
I love them and they love me but they must be sick of me by now! Just the fact that there’s three extra pairs of hands here today – even for just half an hour to an hour – it’s brilliant.
The family has been shielding since March and the start of the Coronavirus lockdown due to Joseph’s asthma. “We’ve actually only been out three times since the 17 March,” Lisa says.
The last time the Playful Lives team was here, they used old cardboard boxes to make a pirate ship with the children. This session has a loose theme of ‘physical play’ so it’s running round the garden playing tag and hide and seek.
Playful Lives is a new Children North East project and part of Newcastle City Council’s Best Summer Ever, a holiday activity scheme aimed at supporting the city’s five to 18-year-olds during the school holidays. Our charity is working closely with the West End Schools Trust, a charitable educational trust formed by eight primary schools, and other partners to create a multi-agency Children’s Community in this part of the city. There’ll also be an ongoing research element to the work overseen by Newcastle University. Schools like Bridgewater Primary have recommended families who feel they could benefit from the Playful Lives project to engage with our team.
Andrew and Shirley’s family have also enjoyed the project. They have two daughters, Maddison, who’s nine and Tamzin, ten. “This has kept the kids really entertained and they look forward to them coming,” Shirley says.
On the day we visit, it’s tanking down with rain so Andrew has put up a big family tent on ground next to their house. Tamzin, who is being assessed for an attention deficit disorder, loves messy play so Lorna suggests making ‘mud paint’ and Tamzin gets set digging a hole. “We like to demonstrate that it doesn’t have to cost lots of money to keep children occupied and engaged,” Lorna explains.
Whilst Maddison experiments with coloured painting inside the tent, Tamzin makes mud handprints before persuading mam to have her hands and face painted – with mud!
Andrew stands by enjoying the spectacle. “I was into everything like this when I was young – mud fights and making dens with cut grass. The street was full of kids. I don’t think kids get the chance to use their imagination so much any more because they’re so used to the electronic age. So things like Playful Lives is great with people like yourselves coming out and showing that they can get involved.”
Playful Lives worker, Paula, who, along with other Playful Lives staff, benefited from training with a freelance playwork specialist, Jackie Boldon, says the project has been a big hit with families this summer.
Playful Lives has given children the opportunity to engage in different activities together as a family whilst having fun in a safe environment. The interaction with different people – our team members – has had a positive effect on helping the children with their transition back to school and it has decreased isolation for the families by giving them something to look forward to outside of the family home.
On behalf of the Playwork Foundation Board of Trustees, we are writing to all our members with a brief overview of recent Playwork Foundation developments and some of our plans for the future. As we’re sure you will agree, it has been an incredibly challenging year with a very unexpected pandemic, several months of lock down, a very different kind of summer and a very different kind of return to school in September. The impact of government actions on children and young people has been enormous, as highlighted by this comment from one young person: “When will it be legal to have friends again?”. Children in secondary schools are now having to wear masks every day and children in primary schools are being restricted to “bubbles”.
However, despite a complete lack of focus and action by the UK Government on meeting the needs of children and young people, especially their fundamental need to play, the playwork sector has continued to provide invaluable services to children, families and communities. In England, this has been done, despite limited resources, despite the absence of a National Play and Playwork Strategy, despite a chronic lack of funding for a play and playwork infrastructure and for front line services and despite the practical challenges of delivering safe services during a pandemic. Playwork Foundation Trustees have heard incredible stories of the dedication and flexibility of playworkers in their attempts to respond to the play needs of children and families in their communities. You can read about some of these in this newsletter.
plans
The Playwork Foundation did have various plans for 2020 that we have now had to be shelve. We had planned a number of free Playwork workshops around the UK. These were to include a participative session about the play cycle in memory of both Perry Else and Gordon Sturrock followed by an interactive discussion about local playwork. We wanted to find out about the issues facing playworkers, their support and training needs and any actions which we needed to take collectively to address these needs. We did manage to run the first one – a very well attended and lively workshop in Leicester at Goldhill Adventure Playground, but sadly we went into lockdown a fortnight later and all the other workshops had to be cancelled.
We were (and still are) planning a conference to explore playwork and alternative education. A number of playgrounds have already been delivering alternative education and with the rise in:
a) numbers of excluded children,
b) disabled children awaiting a different school place and
c) home education,
the issue of alternative education and the role of playwork, clearly needs wider exploration and discussion. We have been planning this conference – entitled ‘No Need to Exclude’ in partnership with Play Torbay and had hoped that this would be a face to face conference with visits to projects early next Spring. However, rather than run this online, we have decided to wait and hold it later in the year when visits and presentations can all happen for real. Watch this space!
reflective
Lockdown did however give the opportunity for Playwork Foundation trustees to meet virtually more often and discuss more strategically how the playwork sector can survive and thrive during this pandemic and beyond. With the help of ex-trustee Penny Wilson (who had already set up reflective zoom sessions for playworkers), we started a project called Playworkers in Progress.
The first reflective practice zoom session attracted a wide range of people in playwork wanting to make contact with other playworkers and to share experiences and ideas. The most recent Playwork in progress session was on Monday 20 November, with a lot of intriguing discussion about how different settings had adapted to the new COVID contemporary in response to infection prevention control measures.
trailblazer
Two of our trustees have been involved in the Playwork Trailblazer Apprenticeship group to ensure that there will still be a playwork apprenticeship that is relevant and up to date. This would initially be in England, but there is a possibility it could also be offered in Wales and Northern Ireland later. This has been a long and arduous process but the bid is finally being submitted to the Institute of Apprenticeships next month with a view to the apprenticeship rolling out early next year. For more on this read the article in this newsletter. We also have another trustee involved in the review of the Transitional Award in Playwork for Early Years and Childcare Workers. This was a popular qualification that transformed practice in many out of school clubs over a number of years and we are keen that it is updated and made available again. We continue to be committed to ensuring that there are relevant, high quality playwork training and qualifications available for playworkers working at all levels.
We had a successful zoom Annual General Meeting (in May 2020) and have gained three more trustees since then which has increased our capacity considerably. However, we still aspire to having a paid member of staff to coordinate our activities and strengthen the voice of the Playwork sector.
To celebrate UK Parliament Week, 1-7 November 2020, Trustee Siôn Edwards met with his local Member of UK Parliament, Sarah Atherton, to talk about play and playwork.
“My role as an MP is to support all the children in Wrecsam and their right to play. My role is also to support playworkers, teachers and professionals who are supporting the children of Wrecsam, enabling them [to play]. More broadly, my role is to lobby to make sure the conditions are right for the playworkers to work and for the children to play.”
– Sarah Atherton, MP.
The interview is available in clips on our Facebook Page or you can watch the interview in full here. Sarah has agreed to do what she can to champion children’s play, and the role of playworkers, in Westminster and we look forward to keeping members up-to-date of her progress.
The future
With regard to the future, we are currently working on a set of ideas and proposals to take to our members in the new year around how we can better fulfil our purpose of supporting Playwork and supporting Playworkers. We are very conscious of the playwork sector’s need to stay in touch and support each other during these challenging times. But also of the need to plan for the future and to the “new normal”. Here are just a few questions for our members for the time being – let us know what you think!
Do we need to revisit our Manifesto Asks in the light of COVID and an unsupportive UK Government?
How do we build the Playwork voice and movement, recruit more Playwork Foundation members and build on our foundations?
What should our priorities be over the next 3 years ensuring we are relevant to all parts of the UK and working within our current capacity?
We wish you all the best possible Christmas and all hope for a happier new year.
The Playwork Foundation
Playwork Foundation Trustees
Simon Rix Ali Wood Karen Benjamin Simon Bazley Jackie Boldon
Sion Edwards Vicky Edwards Tanny Stobart Julia Sexton
Anne-Marie Mackin Barbara McIlwrath
VOLUNTEER
(Website and newsletter): Adrian Voce
If you have relevant news, stories, articles or opinion pieces to share with the playwork community please email adrian@playfulplanet.org.uk
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